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Dokumententyp
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Anzahl der Publikationen: 15
Monographie
Bank, Charlotte
(2020):
The contemporary art scene in Syria. Social critique and an artistic movement.
New York ; London: Routledge.
Zeitschriftenartikel
Bank, Charlotte
(2023):
Seta Manoukian (Ani Pema Drolma). 1945, Beyrouth, Liban.
In: AWARE: Archives of Women Artists, Research & Exhibitions
Bank, Charlotte
(17. März 2021):
Performing critique. Chaza Charafeddine’s Divine Comedy as an inter-temporal dialogue on gender and sexual diversity.
In: Anthropology of the Contemporary Middle East and Central Eurasia, Bd. 5, Nr. 1/2: S. 85-101
Bank, Charlotte
(2020):
Film and Video as a Space for Political Expression and Social Critique in Syria.
In: Artl@s Bulletin, Bd. 9, Nr. 1
Bank, Charlotte
(Juni 2018):
Remaking a world. Recently displaced artists from Syria in Berlin.
In: Mobile Culture Studies. The Journal, Bd. 4: S. 171-182
Bank, Charlotte
(2018):
Translating Commitment. Some Thoughts on Critical Artistic Production in the Arab World.
In: Kunstlicht, Bd. 39, Nr. 1: S. 35-42
Bank, Charlotte
(2016):
Painting as Critique. Oil Painting as a Site for Social and Political Negotiation in Syria.
In: Asiatische Studien, Bd. 70, Nr. 4: S. 1285-1306
Buchbeitrag
Bank, Charlotte
(2024):
Queer Heavens: Rethinking the Islamic Garden in Contemporary Art.
In: Butler, Anne Marie und Crasnow, Sascha (Hrsg.):
Queer Contemporary Art of Southwest Asia North Africa. Critical Studies in Architecture of the Middle East Series, Bd. 12. Bristol: Intellect, Limited. S. 183-204
Bank, Charlotte
(2023):
Approaching a Liminal Space. The Sea in Contemporary Art of the Middle East.
In: Roelens, Nathalie und Erchadi, Armand (Hrsg.):
Breaking the waves : water (issues) in contemporary verbal and visual arts. Esch-sur-Alzette: Melusina Press. S. 129-138
Bank, Charlotte
(2022):
Negotiating masculinity in the works of Iranian Diaspora artists.
In: Nowrousian, Schirin; Hofmann, Michael und Schickhaus, Tobias Akira (Hrsg.):
Transkulturelle Wechselwirkungen durch Künste und Soziales : iranische Diaspora in Europa und darüber hinaus. Würzburg: Königshausen & Neumann. S. 123-137
Bank, Charlotte
(2020):
Feminism and Social Critique in Syrian Contemporary Art.
In: Özpınar, Ceren und Kelly, Mary (Hrsg.):
Under the skin. Oxford: Oxford University Press. S. 26-40
Bank, Charlotte
(2019):
Give sorrow images. Trauma and loss in the works of displaced artists from Syria.
In: Wrapson, Lucy; Sutcliffe, Victoria; Woodcock, Sally und Bucklow, Spike (Hrsg.):
Migrants - art, artists, materials and ideas crossing borders. London: Archetype Publications. S. 130-140
Bank, Charlotte
(2019):
Art Education in Twentieth Century Syria.
In: Nanobashvili, Nino und Teutenberg, Tobias (Hrsg.):
Drawing education: worldwide! Heidelberg: Heidelberg University Publishing. S. 305-319
Zeitungsartikel
Bank, Charlotte
(September 2016):
Calling Things by Their Real Names. Anonymity and Artistic Online Production During the Syrian Uprising.
In: Fusion Journal, Bd. 9
Rezension
Bank, Charlotte
(1. September 2021):
[Review of] Natasha Gasparian: Commitment in the Artistic Practice of Aref El-Rayess: The Changing of Horses.
In: Manazir: Swiss Platform for the Study of Visual Arts, Architecture and Heritage in the MENA Region