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Veröffentlichungsdatum
Anzahl der Publikationen: 17
2022
Franceschini, Chiara 
ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Working at Night: Remarks on the Vigilant Artist.
In: Brendecke, Arndt und Reichlin, Susanne (Hrsg.):
Zeiten der Wachsamkeit. Vigilanzkulturen / Cultures of Vigilance, Bd. 1. Berlin: De Gruyter. S. 79-102
[PDF, 15MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Working at Night: Remarks on the Vigilant Artist.
In: Brendecke, Arndt und Reichlin, Susanne (Hrsg.):
Zeiten der Wachsamkeit. Vigilanzkulturen / Cultures of Vigilance, Bd. 1. Berlin: De Gruyter. S. 79-102
[PDF, 15MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Captive Origins: Giorgio Vasari’s Tavola della Concezione as a Manifesto for Artistic Success.
In: Hendler, Sefy; Métral, Florian und Morel, Philippe (Hrsg.):
La Renaissance des origines : commencement, genèse et création dans l’art des XVe et XVIe siècles : actes du colloque international, Université de Tel Aviv, 11-12 juin 2018, Université Paris 1 Panthéon-Sorbonne, 19-20 juin 2018. Collection 'Études renaissantes', Bd. 37. Turnhout: Brepols. S. 361-383
[PDF, 3MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Captive Origins: Giorgio Vasari’s Tavola della Concezione as a Manifesto for Artistic Success.
In: Hendler, Sefy; Métral, Florian und Morel, Philippe (Hrsg.):
La Renaissance des origines : commencement, genèse et création dans l’art des XVe et XVIe siècles : actes du colloque international, Université de Tel Aviv, 11-12 juin 2018, Université Paris 1 Panthéon-Sorbonne, 19-20 juin 2018. Collection 'Études renaissantes', Bd. 37. Turnhout: Brepols. S. 361-383
[PDF, 3MB]
2021
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Too Many Wounds: Innocenzo da Petralia’s Excessive Crucifixes and the Normative Image.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. 1. Turnhout, Belgium: Brepols. S. 46-67
[PDF, 11MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Too Many Wounds: Innocenzo da Petralia’s Excessive Crucifixes and the Normative Image.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. 1. Turnhout, Belgium: Brepols. S. 46-67
[PDF, 11MB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(2021):
The Tradition of Change in Copies of the Santa Casa di Loreto: The Case of San Clemente in Venice.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols. S. 188-203
[PDF, 9MB]
ORCID: https://orcid.org/0000-0003-1237-5654
(2021):
The Tradition of Change in Copies of the Santa Casa di Loreto: The Case of San Clemente in Venice.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols. S. 188-203
[PDF, 9MB]
Cavero de Carondelet, Cloe ORCID: https://orcid.org/0000-0003-0389-8226
(2021):
Wounds on Trial: Forensic Truth, Sanctity, and the Early Modern Visual Culture of Ritual Murder.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols. S. 68-85
[PDF, 15MB]
ORCID: https://orcid.org/0000-0003-0389-8226
(2021):
Wounds on Trial: Forensic Truth, Sanctity, and the Early Modern Visual Culture of Ritual Murder.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols. S. 68-85
[PDF, 15MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.)
(2021):
Sacred Images and Normativity: Contested Forms in Early Modern Art.
The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols.
ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.)
(2021):
Sacred Images and Normativity: Contested Forms in Early Modern Art.
The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols.
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Introduction: Images as Norms in Europe and Beyond: A Research Program.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols. S. 12-27
ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Introduction: Images as Norms in Europe and Beyond: A Research Program.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (Hrsg.):
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Bd. 1. Turnhout, Belgium: Brepols. S. 12-27
2020
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2020):
A splendid shrine for an ugly image : visual interactions in the Salviati Chapel at San Gregorio al Celio.
In: Franceschini, Chiara; Ostrow, Steven F. und Tosini, Patrizia (Hrsg.):
Chapels of the Cinquecento and Seicento in the churches of Rome : form, function, meaning. Milano: Officina Libraria. S. 112-145
[PDF, 1MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2020):
A splendid shrine for an ugly image : visual interactions in the Salviati Chapel at San Gregorio al Celio.
In: Franceschini, Chiara; Ostrow, Steven F. und Tosini, Patrizia (Hrsg.):
Chapels of the Cinquecento and Seicento in the churches of Rome : form, function, meaning. Milano: Officina Libraria. S. 112-145
[PDF, 1MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544; Ostrow, Steven und Tosini, Patrizia (Hrsg.)
(2020):
Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning.
Milano: Officina Libraria.
ORCID: https://orcid.org/0000-0002-4836-7544; Ostrow, Steven und Tosini, Patrizia (Hrsg.)
(2020):
Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning.
Milano: Officina Libraria.
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544; Ostrow, Steven und Tosini, Patrizia (Hrsg.)
(2020):
Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning.
Milano: Officina Libraria.
ORCID: https://orcid.org/0000-0002-4836-7544; Ostrow, Steven und Tosini, Patrizia (Hrsg.)
(2020):
Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning.
Milano: Officina Libraria.
2019
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(Januar 2019):
Terribili a udirsi, più terribili a vedersi.
In:
Istituto della Enciclopedia Italiana (Hrsg.),
Il manoscritto Douce 124. Mirabile visione. Saggi e commenti. Roma: Istituto della Enciclopedia Italiana - Treccani. S. 105-135
[PDF, 16MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(Januar 2019):
Terribili a udirsi, più terribili a vedersi.
In:
Istituto della Enciclopedia Italiana (Hrsg.),
Il manoscritto Douce 124. Mirabile visione. Saggi e commenti. Roma: Istituto della Enciclopedia Italiana - Treccani. S. 105-135
[PDF, 16MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Mattia Preti’s Madonna della Lettera: Painting, Cult, and Inquisition in Malta, Messina, and Rome.
In: Mitteilungen des Kunsthistorischen Institutes in Florenz, Bd. 61, Nr. 3: S. 335-364
[PDF, 2MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Mattia Preti’s Madonna della Lettera: Painting, Cult, and Inquisition in Malta, Messina, and Rome.
In: Mitteilungen des Kunsthistorischen Institutes in Florenz, Bd. 61, Nr. 3: S. 335-364
[PDF, 2MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Volti santi e Trinità triformi. Ricerche in corso sullo statuto delle immagini nei procedimenti del Sant'Uffizio.
In: Cifres, Alejandro (Hrsg.):
L'inquisizione romana e i suoi archivi. A vent'anni dall'apertura dell'ACDF. Memoria Fidei, Bd. 4. Rom: Gangemi Editore. S. 279-301
[PDF, 635kB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Volti santi e Trinità triformi. Ricerche in corso sullo statuto delle immagini nei procedimenti del Sant'Uffizio.
In: Cifres, Alejandro (Hrsg.):
L'inquisizione romana e i suoi archivi. A vent'anni dall'apertura dell'ACDF. Memoria Fidei, Bd. 4. Rom: Gangemi Editore. S. 279-301
[PDF, 635kB]
2017
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2017):
'Le due parti della corte': Female households, projects, and failures in and outside Italy (1450-1650).
In: Bues, Almut (Hrsg.):
Frictions and failures ; cultural encounters in crisis. Deutsches Historisches Institut : Quellen und Studien, Bd. 34. Wiesbaden: Harrassowitz. S. 9-24
ORCID: https://orcid.org/0000-0002-4836-7544
(2017):
'Le due parti della corte': Female households, projects, and failures in and outside Italy (1450-1650).
In: Bues, Almut (Hrsg.):
Frictions and failures ; cultural encounters in crisis. Deutsches Historisches Institut : Quellen und Studien, Bd. 34. Wiesbaden: Harrassowitz. S. 9-24
2016
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2016):
Storia del limbo.
Milano: Feltrinelli.
[PDF, 10MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2016):
Storia del limbo.
Milano: Feltrinelli.
[PDF, 10MB]
2014
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 und Mazzucco, Katia
(2014):
Introduction.
In: Visual Resources, Bd. 30, Nr. 3: S. 171-180
ORCID: https://orcid.org/0000-0002-4836-7544 und Mazzucco, Katia
(2014):
Introduction.
In: Visual Resources, Bd. 30, Nr. 3: S. 171-180
2001
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2001):
[Review of ] Adriano Prosperi, L’Eresia del Libro Grande. Storia di Giorgio Siculo e della sua setta: Milano, Feltrinelli, 2000, 496 p., 55.000 L / 28,40 €.
In: Laboratoire italien, Vol. 2: S. 207-211
ORCID: https://orcid.org/0000-0002-4836-7544
(2001):
[Review of ] Adriano Prosperi, L’Eresia del Libro Grande. Storia di Giorgio Siculo e della sua setta: Milano, Feltrinelli, 2000, 496 p., 55.000 L / 28,40 €.
In: Laboratoire italien, Vol. 2: S. 207-211