Abstract
Pre-modern believers had to be vigilant at all times;continuously on guard against the appearance of diabolical manifestations, which were culturally (and, in particular, figuratively) shaped by reports of visions and written legends. Therefore, Christian examples called for a fundamental attitude of alertness. However, some tales show the precariousness of the identification and interpretation of devilish appearances and signs. On the basis of Hans Rosenplut's Die Tinte, in which a woman in a monastery is falsely believed to be the devil incarnate, this article examines the phenomenon of `fake devils'. In doing so, it will be demonstrated just how this form of hyper-vigilance with regards to possible devilish influences can be severely distorted by `blind spots'. The article seeks to describe this paradoxical phenomenon by using theoretical observations put forward by Kaja Silverman, focusing in particular on her distinction between screen, gaze and look.
Dokumententyp: | Zeitschriftenartikel |
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Fakultät: | Sprach- und Literaturwissenschaften > Department 1 |
Themengebiete: | 400 Sprache > 400 Sprache |
ISSN: | 0044-2496 |
Sprache: | Deutsch |
Dokumenten ID: | 110515 |
Datum der Veröffentlichung auf Open Access LMU: | 02. Apr. 2024, 07:18 |
Letzte Änderungen: | 02. Apr. 2024, 07:18 |