Abstract
Pre-modern believers had to be vigilant at all times;continuously on guard against the appearance of diabolical manifestations, which were culturally (and, in particular, figuratively) shaped by reports of visions and written legends. Therefore, Christian examples called for a fundamental attitude of alertness. However, some tales show the precariousness of the identification and interpretation of devilish appearances and signs. On the basis of Hans Rosenplut's Die Tinte, in which a woman in a monastery is falsely believed to be the devil incarnate, this article examines the phenomenon of `fake devils'. In doing so, it will be demonstrated just how this form of hyper-vigilance with regards to possible devilish influences can be severely distorted by `blind spots'. The article seeks to describe this paradoxical phenomenon by using theoretical observations put forward by Kaja Silverman, focusing in particular on her distinction between screen, gaze and look.
| Dokumententyp: | Zeitschriftenartikel |
|---|---|
| Fakultät: | Sprach- und Literaturwissenschaften > Department 1 |
| Themengebiete: | 400 Sprache > 400 Sprache |
| ISSN: | 0044-2496 |
| Sprache: | Deutsch |
| Dokumenten ID: | 110515 |
| Datum der Veröffentlichung auf Open Access LMU: | 02. Apr. 2024 07:18 |
| Letzte Änderungen: | 02. Apr. 2024 07:18 |
