Abstract
Pre-modern believers had to be vigilant at all times;continuously on guard against the appearance of diabolical manifestations, which were culturally (and, in particular, figuratively) shaped by reports of visions and written legends. Therefore, Christian examples called for a fundamental attitude of alertness. However, some tales show the precariousness of the identification and interpretation of devilish appearances and signs. On the basis of Hans Rosenplut's Die Tinte, in which a woman in a monastery is falsely believed to be the devil incarnate, this article examines the phenomenon of `fake devils'. In doing so, it will be demonstrated just how this form of hyper-vigilance with regards to possible devilish influences can be severely distorted by `blind spots'. The article seeks to describe this paradoxical phenomenon by using theoretical observations put forward by Kaja Silverman, focusing in particular on her distinction between screen, gaze and look.
| Item Type: | Journal article |
|---|---|
| Faculties: | Languages and Literatures > Department 1 |
| Subjects: | 400 Language > 400 Language |
| ISSN: | 0044-2496 |
| Language: | German |
| Item ID: | 110515 |
| Date Deposited: | 02. Apr 2024 07:18 |
| Last Modified: | 02. Apr 2024 07:18 |
