Abstract
Eva Canel's play La mulata (Barcelona 1891, premiered in Havana in 1893) places its protagonist, Patria, at the intersection of feminist, anti-racist and anti-colonial agendas. In particular, I argue that it is through an original adaptation of the senti-mental ideal of motherhood that the play grounds Patria's rights as a mother and as an Afro-descendant woman, as well as the standing of a soon to be independent Cuba. In this way, the play invites reflection on the problematic relationship between discourses of disembodied personhood and bodily discrimination.
| Dokumententyp: | Zeitschriftenartikel |
|---|---|
| Fakultät: | Sprach- und Literaturwissenschaften > Department 1 |
| Themengebiete: | 400 Sprache > 400 Sprache |
| ISSN: | 1475-3839 |
| Sprache: | Englisch |
| Dokumenten ID: | 110517 |
| Datum der Veröffentlichung auf Open Access LMU: | 02. Apr. 2024 07:18 |
| Letzte Änderungen: | 02. Apr. 2024 07:18 |
