Abstract
Eva Canel's play La mulata (Barcelona 1891, premiered in Havana in 1893) places its protagonist, Patria, at the intersection of feminist, anti-racist and anti-colonial agendas. In particular, I argue that it is through an original adaptation of the senti-mental ideal of motherhood that the play grounds Patria's rights as a mother and as an Afro-descendant woman, as well as the standing of a soon to be independent Cuba. In this way, the play invites reflection on the problematic relationship between discourses of disembodied personhood and bodily discrimination.
Item Type: | Journal article |
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Faculties: | Languages and Literatures > Department 1 |
Subjects: | 400 Language > 400 Language |
ISSN: | 1475-3839 |
Language: | English |
Item ID: | 110517 |
Date Deposited: | 02. Apr 2024, 07:18 |
Last Modified: | 02. Apr 2024, 07:18 |