Abstract
The frequent distinction made between scientific and purely amateur collections misrepresents the specificity of the field of eighteenth-century natural history. This paper argues that the extent and the boundaries of a scientific field can be determined only within the framework of concrete historical constellations of institutions, protagonists, practices and objects. By tracing the circulation of shells in eighteenth-century France, Paris in particular, between about 1735 and 1780, it becomes evident which individuals or groups actually came into contact with these shells ; in what practices of collecting, describing and classification they were involved; and in what spaces they were displayed. Thus the contours of a constellation emerge which differ considerably from those drawn hitherto.
Dokumententyp: | Zeitschriftenartikel |
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Publikationsform: | Publisher's Version |
Fakultät: | Geschichts- und Kunstwissenschaften > Department Kunstwissenschaften > Theaterwissenschaft |
Themengebiete: | 500 Naturwissenschaften und Mathematik > 500 Naturwissenschaften |
URN: | urn:nbn:de:bvb:19-epub-15923-1 |
ISSN: | 0007-0874 |
Allianz-/Nationallizenz: | Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich. |
Sprache: | Englisch |
Dokumenten ID: | 15923 |
Datum der Veröffentlichung auf Open Access LMU: | 17. Jul. 2013, 08:49 |
Letzte Änderungen: | 04. Nov. 2020, 12:57 |