Abstract
The frequent distinction made between scientific and purely amateur collections misrepresents the specificity of the field of eighteenth-century natural history. This paper argues that the extent and the boundaries of a scientific field can be determined only within the framework of concrete historical constellations of institutions, protagonists, practices and objects. By tracing the circulation of shells in eighteenth-century France, Paris in particular, between about 1735 and 1780, it becomes evident which individuals or groups actually came into contact with these shells ; in what practices of collecting, describing and classification they were involved; and in what spaces they were displayed. Thus the contours of a constellation emerge which differ considerably from those drawn hitherto.
Item Type: | Journal article |
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Form of publication: | Publisher's Version |
Faculties: | History and Art History > Department of Art History > Theatre Studies |
Subjects: | 500 Science > 500 Science |
URN: | urn:nbn:de:bvb:19-epub-15923-1 |
ISSN: | 0007-0874 |
Alliance/National Licence: | This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively. |
Language: | English |
Item ID: | 15923 |
Date Deposited: | 17. Jul 2013, 08:49 |
Last Modified: | 04. Nov 2020, 12:57 |