Abstract
This contribution is based on a new interpretation of the well-known passage found in the Description of the church of the Holy Apostles at Constantinople by Nikolaos Mesarites (XXVIII, 63.18-64.3 Heisenberg = 910b.[23] Downey), normally dated to the late twelfth century. It provides a reappraisal of the question regarding the Byzantine painter Eulalios and his alleged self-portrait in one of the scenes of the monument's decorative cycle.
Dokumententyp: | Zeitschriftenartikel |
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Fakultät: | Kulturwissenschaften > Department für Kulturwissenschaften und Altertumskunde |
Themengebiete: | 900 Geschichte und Geografie > 900 Geschichte |
ISSN: | 0307-0131 |
Sprache: | Englisch |
Dokumenten ID: | 47134 |
Datum der Veröffentlichung auf Open Access LMU: | 27. Apr. 2018, 08:12 |
Letzte Änderungen: | 15. Dez. 2020, 09:35 |