ORCID: https://orcid.org/0000-0003-3162-1304
(October 2021):
Trauma eines deutschen Künstlers. Lovis Corinths Luther-Zyklus von 1920/21.
In: 21: Inquiries into Art, History, and the Visual – Beiträge zur Kunstgeschichte und visuellen Kultur, Vol. 2, No. 3: pp. 115-157
[PDF, 79MB]
Abstract
From the perspective of political iconography, this article takes a rather unusual view on a group of graphic works by the German secessionist Lovis Corinth. Martin Luther, whom Corinth honored in an extensive graphic cycle in 1921, is a figure in German religious and national history who played a significant role as a paragon of manliness in the formation of the German nation-state. As the epitome of the German man who stood out for his firmness of faith, steadfastness, and will to fight, Luther was also a suitable model for Corinth himself, who wished for a better reality, especially in the disastrous situation after the First World War.
Item Type: | Journal article |
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Form of publication: | Publisher's Version |
Faculties: | History and Art History > Department of Art History > Art History |
Subjects: | 700 Arts and recreation > 700 Arts |
URN: | urn:nbn:de:bvb:19-epub-77544-2 |
Language: | German |
Item ID: | 77544 |
Date Deposited: | 18. Oct 2021, 06:27 |
Last Modified: | 27. Mar 2022, 06:31 |