Abstract
This article explores the transnational visual language of picture postcards and the international business networks responsible for producing and disseminating the image of Dutch colonialism around 1900. Following a microhistorical approach, I consider the multilayered representation and transnational production of one particular postcard sent from colonial Indonesia to the Netherlands in 1900. The postcard established, visualised, and catalysed colonialism through its use of a European visual language. Colonialist meaning was attached to the image in Germany and was reinforced through the process of the postcard’s delivery from colony to metropolis. This article moves beyond a nation-based framework and instead analyses the meanings of colonial imagery in transnational contexts.
Dokumententyp: | Zeitschriftenartikel |
---|---|
Keywords: | Carl Julius Herman Salzwedel (active 1877–1903); picture postcards; travelling photographs; colonial Indonesia; Dutch East Indies; Dutch colonialism; transnational networks; landscape representation |
Fakultät: | Geschichts- und Kunstwissenschaften > Department Kunstwissenschaften > Kunstgeschichte |
Themengebiete: | 700 Künste und Unterhaltung > 770 Fotografie, Computerkunst |
ISSN: | 2150-7295 |
Sprache: | Englisch |
Dokumenten ID: | 125193 |
Datum der Veröffentlichung auf Open Access LMU: | 22. Mai 2025 11:43 |
Letzte Änderungen: | 22. Mai 2025 11:43 |