Abstract
In this chapter I distinguish and discuss the notions 'Musikalisches Theater' (the English translation 'musical theatre' is misleading: I am not referring to the popular genre, but to a phenomenon of a kind of 'musicalized' theatre as we have seen it in recent years with directors such as Christoph Marthaler) and 'Szenische Musik' (scenic music). I describe them as poles on a continuum of interplays between music and theatre. Both are not ontological notions with set immanent criteria, but contextual attribution which highlight particular aspects of the music/theatre interplay and have a range of consequences for the process, performance and reception of theatre which I discuss using a range of case studies. These include: Christoph Marthaler, Lose Combo, Heiner Goebbels, Sebastian Nübling, Mauricio Kagel, Manos Tsnagaris and Leo Dick.
Dokumententyp: | Buchbeitrag |
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Publikationsform: | Publisher's Version |
Fakultät: | Geschichts- und Kunstwissenschaften > Department Kunstwissenschaften > Theaterwissenschaft |
Themengebiete: | 700 Künste und Unterhaltung > 790 Sport, Spiele, Unterhaltung > 792 Bühnenkunst |
ISBN: | 978-3-8260-4184-6 |
Ort: | Würzburg |
Sprache: | Deutsch |
Dokumenten ID: | 21959 |
Datum der Veröffentlichung auf Open Access LMU: | 28. Nov. 2014, 10:26 |
Letzte Änderungen: | 29. Apr. 2016, 11:38 |