ORCID: https://orcid.org/0000-0002-4371-1852
(2010):
Musikalisches Theater – Szenische Musik.
In: Mungen, Anno (ed.) :
Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Thurnauer Schriften zum Musiktheater, Vol. 23. Würzburg: Königshausen & Neumann. pp. 193-211
Abstract
In this chapter I distinguish and discuss the notions 'Musikalisches Theater' (the English translation 'musical theatre' is misleading: I am not referring to the popular genre, but to a phenomenon of a kind of 'musicalized' theatre as we have seen it in recent years with directors such as Christoph Marthaler) and 'Szenische Musik' (scenic music). I describe them as poles on a continuum of interplays between music and theatre. Both are not ontological notions with set immanent criteria, but contextual attribution which highlight particular aspects of the music/theatre interplay and have a range of consequences for the process, performance and reception of theatre which I discuss using a range of case studies. These include: Christoph Marthaler, Lose Combo, Heiner Goebbels, Sebastian Nübling, Mauricio Kagel, Manos Tsnagaris and Leo Dick.
| Item Type: | Book Section |
|---|---|
| Form of publication: | Publisher's Version |
| Faculties: | History and Art History > Department of Art History > Theatre Studies |
| Subjects: | 700 Arts and recreation > 790 Sports, games and entertainment > 792 Stage presentations |
| ISBN: | 978-3-8260-4184-6 |
| Place of Publication: | Würzburg |
| Language: | German |
| Item ID: | 21959 |
| Date Deposited: | 28. Nov 2014 10:26 |
| Last Modified: | 29. Apr 2016 11:38 |
