Abstract
This editorial introduces issue 11.2 of Studies in Musical Theatre, a special issue focusing on international development opportunities for new music theatre. The editorial responds to the appointment of composers Daniel Ott and Manos Tsangaris as artistic directors of the 2016 Munich Biennale, an appointment that allowed them to introduce a curatorial approach to developing new work for the musical stage. The special issue itself proceeds to consider some of the work created for the 2016 Munich Biennale, alongside discussions of other comparable processes that have generated new music theatre work in various arenas.
Item Type: | Journal article |
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Keywords: | Music Theatre; Rehearsal; Composition; Process; Collaboration |
Faculties: | History and Art History > Department of Art History > Theatre Studies |
Subjects: | 700 Arts and recreation > 780 Music |
ISSN: | 1750-3167 |
Place of Publication: | Bristol |
Language: | English |
Item ID: | 42379 |
Date Deposited: | 22. Feb 2018, 08:07 |
Last Modified: | 04. Nov 2020, 13:17 |