Abstract
One of the less researched aspects of postcolonial India’s “progressive” culture is its Soviet connection. Starting in the 1950s and consolidating in the 1960s, the Union of Soviet Socialist Republics invested in building up “committed” networks amongst writers, directors, actors, and other theater- and film-practitioners across India. Thus, an entire generation of cultural professionals was initiated into the anticolonial solidarity of emerging Afro-Asian nations that were seen, and portrayed, by the Soviets as being victims of “Western” imperialism. The aspirational figure of the New Soviet Man was celebrated through the rise of a new form of “transactional sociality” (Westlund 2003). This paper looks at selected cases of cultural diplomacy—through the lens of cultural history—between the USSR and India for two decades after India’s Independence, exploring the possibility of theorizing it from the perspective of an anticolonial cultural solidarity that allowed agency to Indian interlocutors.
Dokumententyp: | Zeitschriftenartikel |
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EU Funded Grant Agreement Number: | 694559 |
EU-Projekte: | Horizon 2020 > ERC Grants > ERC Advanced Grant > ERC Grant 694559: Developing Theatre - Building Expert Networks for Theatre in Emerging Countries after 1945 |
Publikationsform: | Submitted Version |
Keywords: | India; Soviet Union; cultural diplomacy |
Fakultät: | Geschichts- und Kunstwissenschaften > Department Kunstwissenschaften > Theaterwissenschaft |
Themengebiete: | 700 Künste und Unterhaltung > 790 Sport, Spiele, Unterhaltung > 791 Öffentliche Darbietungen, Film, Rundfunk
900 Geschichte und Geografie > 950 Geschichte Asiens |
URN: | urn:nbn:de:bvb:19-epub-61942-1 |
ISSN: | 1753-3171 |
Sprache: | Englisch |
Dokumenten ID: | 61942 |
Datum der Veröffentlichung auf Open Access LMU: | 31. Mai 2019, 06:18 |
Letzte Änderungen: | 18. Mai 2021, 12:54 |