Abstract
As the site of the Annunciation, the Santa Casa di Loreto resonates with the past, acting as a potent pilgrimage destination in Catholic Europe. But this Nazarene building does not receive devotion in the Holy Land. The Santa Casa resides first in the eastern Italian town of Loreto—to which the edifice purportedly flew in the thirteenth century—and also in the many copies of the edifice populating church naves, chapels, and cloisters throughout Europe. Signs of tactile communion appear in many of these Sante Case, darkening the carefully rendered uneven brick and stone interspersed with purposefully crumbling frescoed surfaces. Each Holy House effectively conveys the contemporary structure into new communities, “performing” devotion through perpetual acts of fragmentation that reinforce Loretan adoration.
Dokumententyp: | Zeitschriftenartikel |
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EU Funded Grant Agreement Number: | 680192 |
EU-Projekte: | Horizon 2020 > ERC Grants > ERC Starting Grant > ERC Grant 680192: SACRIMA - The Normativity of Sacred Images in Early Modern Europe |
Publikationsform: | Publisher's Version |
Keywords: | Santa Casa; Loreto; Replica; Pilgrimage; Cult Devotion; Tactility; Degradation; Fragmentation |
Fakultät: | Geschichts- und Kunstwissenschaften |
Themengebiete: | 200 Religion > 270 Geschichte des Christentums
700 Künste und Unterhaltung > 700 Künste 700 Künste und Unterhaltung > 720 Architektur 700 Künste und Unterhaltung > 730 Bildhauerkunst, Keramik, Metallkunst |
URN: | urn:nbn:de:bvb:19-epub-73520-8 |
ISSN: | 2269-7721 |
Sprache: | Französisch |
Dokumenten ID: | 73520 |
Datum der Veröffentlichung auf Open Access LMU: | 30. Sep. 2020, 07:59 |
Letzte Änderungen: | 04. Nov. 2020, 13:53 |