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Up a level- EU Projects (27)
- Horizon 2020 (27)
- ERC Grants (27)
- ERC Starting Grant (27)
- ERC Grant 680192: SACRIMA - The Normativity of Sacred Images in Early Modern Europe (27)
- ERC Starting Grant (27)
- ERC Grants (27)
- Horizon 2020 (27)
Number of items at this level: 27.
2022
Franceschini, Chiara 
ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Working at Night: Remarks on the Vigilant Artist.
In: Brendecke, Arndt und Reichlin, Susanne (eds.) :
Zeiten der Wachsamkeit. Vigilanzkulturen / Cultures of Vigilance, Vol. 1. Berlin: De Gruyter. pp. 79-102
[PDF, 15MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Working at Night: Remarks on the Vigilant Artist.
In: Brendecke, Arndt und Reichlin, Susanne (eds.) :
Zeiten der Wachsamkeit. Vigilanzkulturen / Cultures of Vigilance, Vol. 1. Berlin: De Gruyter. pp. 79-102
[PDF, 15MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Captive Origins: Giorgio Vasari’s Tavola della Concezione as a Manifesto for Artistic Success.
In: Hendler, Sefy; Métral, Florian und Morel, Philippe (eds.) :
La Renaissance des origines : commencement, genèse et création dans l’art des XVe et XVIe siècles : actes du colloque international, Université de Tel Aviv, 11-12 juin 2018, Université Paris 1 Panthéon-Sorbonne, 19-20 juin 2018. Collection 'Études renaissantes', Vol. 37. Turnhout: Brepols. pp. 361-383
[PDF, 3MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2022):
Captive Origins: Giorgio Vasari’s Tavola della Concezione as a Manifesto for Artistic Success.
In: Hendler, Sefy; Métral, Florian und Morel, Philippe (eds.) :
La Renaissance des origines : commencement, genèse et création dans l’art des XVe et XVIe siècles : actes du colloque international, Université de Tel Aviv, 11-12 juin 2018, Université Paris 1 Panthéon-Sorbonne, 19-20 juin 2018. Collection 'Études renaissantes', Vol. 37. Turnhout: Brepols. pp. 361-383
[PDF, 3MB]
2021
Cavero de Carondelet, Cloe ORCID: https://orcid.org/0000-0003-0389-8226
(2021):
Wounds on Trial: Forensic Truth, Sanctity, and the Early Modern Visual Culture of Ritual Murder.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 68-85
[PDF, 15MB]
ORCID: https://orcid.org/0000-0003-0389-8226
(2021):
Wounds on Trial: Forensic Truth, Sanctity, and the Early Modern Visual Culture of Ritual Murder.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 68-85
[PDF, 15MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Introduction: Images as Norms in Europe and Beyond: A Research Program.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 12-27
ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Introduction: Images as Norms in Europe and Beyond: A Research Program.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 12-27
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.)
(2021):
Sacred Images and Normativity: Contested Forms in Early Modern Art.
The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols.
ORCID: https://orcid.org/0000-0002-4836-7544 (ed.)
(2021):
Sacred Images and Normativity: Contested Forms in Early Modern Art.
The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols.
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Too Many Wounds: Innocenzo da Petralia’s Excessive Crucifixes and the Normative Image.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. 1. Turnhout, Belgium: Brepols. pp. 46-67
[PDF, 11MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2021):
Too Many Wounds: Innocenzo da Petralia’s Excessive Crucifixes and the Normative Image.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. 1. Turnhout, Belgium: Brepols. pp. 46-67
[PDF, 11MB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(1. March 2021):
“Pietro Paolo Drei’s Flower Mosaics Revealed in Print”.
In: Print Quarterly, Vol. 38
[PDF, 2MB]
ORCID: https://orcid.org/0000-0003-1237-5654
(1. March 2021):
“Pietro Paolo Drei’s Flower Mosaics Revealed in Print”.
In: Print Quarterly, Vol. 38
[PDF, 2MB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(2021):
The Tradition of Change in Copies of the Santa Casa di Loreto: The Case of San Clemente in Venice.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 188-203
[PDF, 9MB]
ORCID: https://orcid.org/0000-0003-1237-5654
(2021):
The Tradition of Change in Copies of the Santa Casa di Loreto: The Case of San Clemente in Venice.
In: Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544 (ed.) :
Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 188-203
[PDF, 9MB]
2020
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544; Ostrow, Steven und Tosini, Patrizia (eds.)
(2020):
Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning.
Milano: Officina Libraria.
ORCID: https://orcid.org/0000-0002-4836-7544; Ostrow, Steven und Tosini, Patrizia (eds.)
(2020):
Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning.
Milano: Officina Libraria.
Cavero de Carondelet, Cloe ORCID: https://orcid.org/0000-0003-0389-8226
(2020):
El viaje a Roma de Luis de Oviedo, agente y coleccionista a principios del siglo XVII.
In: Cuadernos de Historia Moderna, Vol. 45, No. 1: pp. 55-79
[PDF, 1MB]
ORCID: https://orcid.org/0000-0003-0389-8226
(2020):
El viaje a Roma de Luis de Oviedo, agente y coleccionista a principios del siglo XVII.
In: Cuadernos de Historia Moderna, Vol. 45, No. 1: pp. 55-79
[PDF, 1MB]
Cavero de Carondelet, Cloe ORCID: https://orcid.org/0000-0003-0389-8226
(2020):
Proyectos compartidos: Las fundaciones religiosas del cardenal Bernardo de Sandoval y Rojas en el valimiento del duque de Lerma.
In: García García, Bernardo und Rodríguez Rebollo, Ángel (eds.) :
Apariencia y razón. Las arte y la arquitectura en el reinado de Felipe III. Madrid: Doce Calles. pp. 67-92
[PDF, 2MB]
ORCID: https://orcid.org/0000-0003-0389-8226
(2020):
Proyectos compartidos: Las fundaciones religiosas del cardenal Bernardo de Sandoval y Rojas en el valimiento del duque de Lerma.
In: García García, Bernardo und Rodríguez Rebollo, Ángel (eds.) :
Apariencia y razón. Las arte y la arquitectura en el reinado de Felipe III. Madrid: Doce Calles. pp. 67-92
[PDF, 2MB]
Cavero de Carondelet, Cloe ORCID: https://orcid.org/0000-0003-0389-8226
(December 2020):
Reframing a Medieval Miracle in Early Modern Spain: The Origins of Our Lady del Sagrario of Toledo.
In: Stoenescu, Livia (ed.) :
The Interaction of Art and Relics in Late Medieval and Early Modern Art. Turnhout: Brepols. pp. 29-49
[PDF, 354kB]
ORCID: https://orcid.org/0000-0003-0389-8226
(December 2020):
Reframing a Medieval Miracle in Early Modern Spain: The Origins of Our Lady del Sagrario of Toledo.
In: Stoenescu, Livia (ed.) :
The Interaction of Art and Relics in Late Medieval and Early Modern Art. Turnhout: Brepols. pp. 29-49
[PDF, 354kB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2020):
A splendid shrine for an ugly image : visual interactions in the Salviati Chapel at San Gregorio al Celio.
In: Franceschini, Chiara; Ostrow, Steven F. und Tosini, Patrizia (eds.) :
Chapels of the Cinquecento and Seicento in the churches of Rome : form, function, meaning. Milano: Officina Libraria. pp. 112-145
[PDF, 1MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2020):
A splendid shrine for an ugly image : visual interactions in the Salviati Chapel at San Gregorio al Celio.
In: Franceschini, Chiara; Ostrow, Steven F. und Tosini, Patrizia (eds.) :
Chapels of the Cinquecento and Seicento in the churches of Rome : form, function, meaning. Milano: Officina Libraria. pp. 112-145
[PDF, 1MB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(December 2020):
Giovanni Battista Braccelli’s Etched Devotions before the Vatican Bronze Saint Peter.
In: I Tatti Studies in the Italian Renaissance, Vol. 23, No. 2: pp. 341-374
[PDF, 2MB]
ORCID: https://orcid.org/0000-0003-1237-5654
(December 2020):
Giovanni Battista Braccelli’s Etched Devotions before the Vatican Bronze Saint Peter.
In: I Tatti Studies in the Italian Renaissance, Vol. 23, No. 2: pp. 341-374
[PDF, 2MB]
2019
Cavero de Carondelet, Cloe ORCID: https://orcid.org/0000-0003-0389-8226
(26. June 2019):
The Virgin Embracing the Virgin: Eugenio Cajés’ Short-Lived Iconography of Our Lady del Sagrario in Counter-Reformation Toledo.
In: Bulletin of Spanish Studies, Vol. 96, No. 6: pp. 921-950
[PDF, 388kB]
ORCID: https://orcid.org/0000-0003-0389-8226
(26. June 2019):
The Virgin Embracing the Virgin: Eugenio Cajés’ Short-Lived Iconography of Our Lady del Sagrario in Counter-Reformation Toledo.
In: Bulletin of Spanish Studies, Vol. 96, No. 6: pp. 921-950
[PDF, 388kB]
Cavero de Carondelet, Cloe ORCID: https://orcid.org/0000-0003-0389-8226
(2019):
Copias de imágenes sagradas romanas en Granada: algunas notas sobre las Vírgenes del Popolo y los retratos de san Pedro y san Pablo.
In: García Cueto, David (ed.) :
La pintura italiana en Granada. Artistas y coleccionistas, originales y copias. Granada: Editorial Universidad de Granada. pp. 71-82
[PDF, 5MB]
ORCID: https://orcid.org/0000-0003-0389-8226
(2019):
Copias de imágenes sagradas romanas en Granada: algunas notas sobre las Vírgenes del Popolo y los retratos de san Pedro y san Pablo.
In: García Cueto, David (ed.) :
La pintura italiana en Granada. Artistas y coleccionistas, originales y copias. Granada: Editorial Universidad de Granada. pp. 71-82
[PDF, 5MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Mattia Preti’s Madonna della Lettera: Painting, Cult, and Inquisition in Malta, Messina, and Rome.
In: Mitteilungen des Kunsthistorischen Institutes in Florenz, Vol. 61, No. 3: pp. 335-364
[PDF, 2MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Mattia Preti’s Madonna della Lettera: Painting, Cult, and Inquisition in Malta, Messina, and Rome.
In: Mitteilungen des Kunsthistorischen Institutes in Florenz, Vol. 61, No. 3: pp. 335-364
[PDF, 2MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(January 2019):
Terribili a udirsi, più terribili a vedersi.
In:
Istituto della Enciclopedia Italiana (ed.) ,
Il manoscritto Douce 124. Mirabile visione. Saggi e commenti. Roma: Istituto della Enciclopedia Italiana - Treccani. pp. 105-135
[PDF, 16MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(January 2019):
Terribili a udirsi, più terribili a vedersi.
In:
Istituto della Enciclopedia Italiana (ed.) ,
Il manoscritto Douce 124. Mirabile visione. Saggi e commenti. Roma: Istituto della Enciclopedia Italiana - Treccani. pp. 105-135
[PDF, 16MB]
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Volti santi e Trinità triformi. Ricerche in corso sullo statuto delle immagini nei procedimenti del Sant'Uffizio.
In: Cifres, Alejandro (ed.) :
L'inquisizione romana e i suoi archivi. A vent'anni dall'apertura dell'ACDF. Memoria Fidei, Vol. 4. Rom: Gangemi Editore. pp. 279-301
[PDF, 635kB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2019):
Volti santi e Trinità triformi. Ricerche in corso sullo statuto delle immagini nei procedimenti del Sant'Uffizio.
In: Cifres, Alejandro (ed.) :
L'inquisizione romana e i suoi archivi. A vent'anni dall'apertura dell'ACDF. Memoria Fidei, Vol. 4. Rom: Gangemi Editore. pp. 279-301
[PDF, 635kB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(20. July 2019):
Conflicting sources for 3D Replicas. Adam Philippon’s Santa Casa of Loreto.
In: Thinking 3D Forum
[HTML, 28kB]
ORCID: https://orcid.org/0000-0003-1237-5654
(20. July 2019):
Conflicting sources for 3D Replicas. Adam Philippon’s Santa Casa of Loreto.
In: Thinking 3D Forum
[HTML, 28kB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(2019):
Abraham Bosse. Représentation de diverses figures humains. Avec leurs mesures prises Sur des Antiques qui sont de présent à Rome.
In: Pfisterer, Ulrich und Ruggero, Cristina (eds.) :
Phönix aus der Asche: Bildwerdung der Antike – Druckgraphiken bis 1869 / L’Araba fenice – L’Antico visualizzato nella grafica a stampa fino al 1869. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 50. Petersberg: Michael Imhoff Verlag GmbH. pp. 94-95
[PDF, 327kB]
ORCID: https://orcid.org/0000-0003-1237-5654
(2019):
Abraham Bosse. Représentation de diverses figures humains. Avec leurs mesures prises Sur des Antiques qui sont de présent à Rome.
In: Pfisterer, Ulrich und Ruggero, Cristina (eds.) :
Phönix aus der Asche: Bildwerdung der Antike – Druckgraphiken bis 1869 / L’Araba fenice – L’Antico visualizzato nella grafica a stampa fino al 1869. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 50. Petersberg: Michael Imhoff Verlag GmbH. pp. 94-95
[PDF, 327kB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(2019):
Gérard Audran. Les Proportions du Corps Humain. Mesurées sur les plus belles Figures de l'Antiquité.
In: Pfisterer, Ulrich und Ruggero, Cristina (eds.) :
Phönix aus der Asche: Bildwerdung der Antike – Druckgraphiken bis 1869 / L’Araba fenice – L’Antico visualizzato nella grafica a stampa fino al 1869. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 50. Petersberg: Michael Imhoff Verlag GmbH. pp. 98-99
[PDF, 331kB]
ORCID: https://orcid.org/0000-0003-1237-5654
(2019):
Gérard Audran. Les Proportions du Corps Humain. Mesurées sur les plus belles Figures de l'Antiquité.
In: Pfisterer, Ulrich und Ruggero, Cristina (eds.) :
Phönix aus der Asche: Bildwerdung der Antike – Druckgraphiken bis 1869 / L’Araba fenice – L’Antico visualizzato nella grafica a stampa fino al 1869. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 50. Petersberg: Michael Imhoff Verlag GmbH. pp. 98-99
[PDF, 331kB]
2018
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(31. December 2018):
Détruire, reconstruire, redéfinir. La fragmentation volontaire de la Santa Casa de Loreto et ses altérations répliquées.
In: Perspective : actualité en histoire de l'art, Vol. 2: pp. 209-217
[PDF, 494kB]
ORCID: https://orcid.org/0000-0003-1237-5654
(31. December 2018):
Détruire, reconstruire, redéfinir. La fragmentation volontaire de la Santa Casa de Loreto et ses altérations répliquées.
In: Perspective : actualité en histoire de l'art, Vol. 2: pp. 209-217
[PDF, 494kB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(2018):
Francesco Novelli. Stampe incise da Francesco Novelli veneto accademico professore dell'insigne Accademia di pittura, scultura e architettura di Venezia: Dall'autore presentate in dono alla stessa Accademia.
In: Döring, Annalena; Hefele, Franz und Pfisterer, Ulrich (eds.) :
Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 380-382
[PDF, 184kB]
ORCID: https://orcid.org/0000-0003-1237-5654
(2018):
Francesco Novelli. Stampe incise da Francesco Novelli veneto accademico professore dell'insigne Accademia di pittura, scultura e architettura di Venezia: Dall'autore presentate in dono alla stessa Accademia.
In: Döring, Annalena; Hefele, Franz und Pfisterer, Ulrich (eds.) :
Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 380-382
[PDF, 184kB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(2018):
Jean-François Félibien des Avaux. Recueil historique de la vie et des ouvrages des plus célèbres architectes.
In: Döring, Annalena; Hefele, Franz und Pfisterer, Ulrich (eds.) :
Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 185-187
[PDF, 3MB]
ORCID: https://orcid.org/0000-0003-1237-5654
(2018):
Jean-François Félibien des Avaux. Recueil historique de la vie et des ouvrages des plus célèbres architectes.
In: Döring, Annalena; Hefele, Franz und Pfisterer, Ulrich (eds.) :
Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 185-187
[PDF, 3MB]
Giffin, Erin ORCID: https://orcid.org/0000-0003-1237-5654
(2018):
Jan van der Straet. Nova Reperta.
In: Döring, Annalena; Hefele, Franz und Phisterer, Ulrich (eds.) :
Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 54-57
[PDF, 371kB]
ORCID: https://orcid.org/0000-0003-1237-5654
(2018):
Jan van der Straet. Nova Reperta.
In: Döring, Annalena; Hefele, Franz und Phisterer, Ulrich (eds.) :
Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 54-57
[PDF, 371kB]
2016
Franceschini, Chiara ORCID: https://orcid.org/0000-0002-4836-7544
(2016):
Storia del limbo.
Milano: Feltrinelli.
[PDF, 10MB]
ORCID: https://orcid.org/0000-0002-4836-7544
(2016):
Storia del limbo.
Milano: Feltrinelli.
[PDF, 10MB]