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Number of items at this level: 26.

C

Cavero de Carondelet, Cloe ORCID logoORCID: https://orcid.org/0000-0003-0389-8226 (2020): El viaje a Roma de Luis de Oviedo, agente y coleccionista a principios del siglo XVII. In: Cuadernos de Historia Moderna, Vol. 45, No. 1: pp. 55-79 [PDF, 1MB]

Cavero de Carondelet, Cloe ORCID logoORCID: https://orcid.org/0000-0003-0389-8226 (26. June 2019): The Virgin Embracing the Virgin: Eugenio Cajés’ Short-Lived Iconography of Our Lady del Sagrario in Counter-Reformation Toledo. In: Bulletin of Spanish Studies, Vol. 96, No. 6: pp. 921-950 [PDF, 388kB]

Cavero de Carondelet, Cloe ORCID logoORCID: https://orcid.org/0000-0003-0389-8226 (2021): Wounds on Trial: Forensic Truth, Sanctity, and the Early Modern Visual Culture of Ritual Murder. In: Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (ed.) : Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 68-85 [PDF, 15MB]

Cavero de Carondelet, Cloe ORCID logoORCID: https://orcid.org/0000-0003-0389-8226 (2019): Copias de imágenes sagradas romanas en Granada: algunas notas sobre las Vírgenes del Popolo y los retratos de san Pedro y san Pablo. In: García Cueto, David (ed.) : La pintura italiana en Granada. Artistas y coleccionistas, originales y copias. Granada: Editorial Universidad de Granada. pp. 71-82 [PDF, 5MB]

Cavero de Carondelet, Cloe ORCID logoORCID: https://orcid.org/0000-0003-0389-8226 (2020): Proyectos compartidos: Las fundaciones religiosas del cardenal Bernardo de Sandoval y Rojas en el valimiento del duque de Lerma. In: García García, Bernardo and Rodríguez Rebollo, Ángel (eds.) : Apariencia y razón. Las arte y la arquitectura en el reinado de Felipe III. Madrid: Doce Calles. pp. 67-92 [PDF, 2MB]

Cavero de Carondelet, Cloe ORCID logoORCID: https://orcid.org/0000-0003-0389-8226 (December 2020): Reframing a Medieval Miracle in Early Modern Spain: The Origins of Our Lady del Sagrario of Toledo. In: Stoenescu, Livia (ed.) : The Interaction of Art and Relics in Late Medieval and Early Modern Art. Turnhout: Brepols. pp. 29-49 [PDF, 354kB]

F

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2019): Mattia Preti’s Madonna della Lettera: Painting, Cult, and Inquisition in Malta, Messina, and Rome. In: Mitteilungen des Kunsthistorischen Institutes in Florenz, Vol. 61, No. 3: pp. 335-364 [PDF, 2MB]

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2016): Storia del limbo. Milano: Feltrinelli. [PDF, 10MB]

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (January 2019): Terribili a udirsi, più terribili a vedersi. In: Istituto della Enciclopedia Italiana (ed.) , Il manoscritto Douce 124. Mirabile visione. Saggi e commenti. Roma: Istituto della Enciclopedia Italiana - Treccani. pp. 105-135 [PDF, 16MB]

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2022): Working at Night: Remarks on the Vigilant Artist. In: Brendecke, Arndt and Reichlin, Susanne (eds.) : Zeiten der Wachsamkeit. Vigilanzkulturen / Cultures of Vigilance, Vol. 1. Berlin: De Gruyter. pp. 79-102 [PDF, 15MB]

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2019): Volti santi e Trinità triformi. Ricerche in corso sullo statuto delle immagini nei procedimenti del Sant'Uffizio. In: Cifres, Alejandro (ed.) : L'inquisizione romana e i suoi archivi. A vent'anni dall'apertura dell'ACDF. Memoria Fidei, Vol. 4. Rom: Gangemi Editore. pp. 279-301 [PDF, 635kB]

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2021): Introduction: Images as Norms in Europe and Beyond: A Research Program. In: Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (ed.) : Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 12-27

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (ed.) (2021): Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols.

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2021): Too Many Wounds: Innocenzo da Petralia’s Excessive Crucifixes and the Normative Image. In: Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (ed.) : Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. 1. Turnhout, Belgium: Brepols. pp. 46-67 [PDF, 11MB]

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2020): A splendid shrine for an ugly image : visual interactions in the Salviati Chapel at San Gregorio al Celio. In: Franceschini, Chiara; Ostrow, Steven F. and Tosini, Patrizia (eds.) : Chapels of the Cinquecento and Seicento in the churches of Rome : form, function, meaning. Milano: Officina Libraria. pp. 112-145 [PDF, 1MB]

Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (2022): Captive Origins: Giorgio Vasari’s Tavola della Concezione as a Manifesto for Artistic Success. In: Hendler, Sefy; Métral, Florian and Morel, Philippe (eds.) : La Renaissance des origines : commencement, genèse et création dans l’art des XVe et XVIe siècles : actes du colloque international, Université de Tel Aviv, 11-12 juin 2018, Université Paris 1 Panthéon-Sorbonne, 19-20 juin 2018. Collection 'Études renaissantes', Vol. 37. Turnhout: Brepols. pp. 361-383 [PDF, 3MB]

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Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (20. July 2019): Conflicting sources for 3D Replicas. Adam Philippon’s Santa Casa of Loreto. In: Thinking 3D Forum [HTML, 28kB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (31. December 2018): Détruire, reconstruire, redéfinir. La fragmentation volontaire de la Santa Casa de Loreto et ses altérations répliquées. In: Perspective : actualité en histoire de l'art, Vol. 2: pp. 209-217 [PDF, 494kB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (December 2020): Giovanni Battista Braccelli’s Etched Devotions before the Vatican Bronze Saint Peter. In: I Tatti Studies in the Italian Renaissance, Vol. 23, No. 2: pp. 341-374 [PDF, 2MB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (1. March 2021): “Pietro Paolo Drei’s Flower Mosaics Revealed in Print”. In: Print Quarterly, Vol. 38 [PDF, 2MB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (2018): Francesco Novelli. Stampe incise da Francesco Novelli veneto accademico professore dell'insigne Accademia di pittura, scultura e architettura di Venezia: Dall'autore presentate in dono alla stessa Accademia. In: Döring, Annalena; Hefele, Franz and Pfisterer, Ulrich (eds.) : Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 380-382 [PDF, 184kB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (2018): Jean-François Félibien des Avaux. Recueil historique de la vie et des ouvrages des plus célèbres architectes. In: Döring, Annalena; Hefele, Franz and Pfisterer, Ulrich (eds.) : Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 185-187 [PDF, 3MB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (2018): Jan van der Straet. Nova Reperta. In: Döring, Annalena; Hefele, Franz and Phisterer, Ulrich (eds.) : Platz da im Pantheon. Künstler in gedruckten Porträtserien bis 1800. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 45. Passau: Dietmar Klinger Verlag. pp. 54-57 [PDF, 371kB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (2021): The Tradition of Change in Copies of the Santa Casa di Loreto: The Case of San Clemente in Venice. In: Franceschini, Chiara ORCID logoORCID: https://orcid.org/0000-0002-4836-7544 (ed.) : Sacred Images and Normativity: Contested Forms in Early Modern Art. The Normativity of Sacred Images in Early Modern Europe, Vol. 1. Turnhout, Belgium: Brepols. pp. 188-203 [PDF, 9MB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (2019): Abraham Bosse. Représentation de diverses figures humains. Avec leurs mesures prises Sur des Antiques qui sont de présent à Rome. In: Pfisterer, Ulrich and Ruggero, Cristina (eds.) : Phönix aus der Asche: Bildwerdung der Antike – Druckgraphiken bis 1869 / L’Araba fenice – L’Antico visualizzato nella grafica a stampa fino al 1869. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 50. Petersberg: Michael Imhoff Verlag GmbH. pp. 94-95 [PDF, 327kB]

Giffin, Erin ORCID logoORCID: https://orcid.org/0000-0003-1237-5654 (2019): Gérard Audran. Les Proportions du Corps Humain. Mesurées sur les plus belles Figures de l'Antiquité. In: Pfisterer, Ulrich and Ruggero, Cristina (eds.) : Phönix aus der Asche: Bildwerdung der Antike – Druckgraphiken bis 1869 / L’Araba fenice – L’Antico visualizzato nella grafica a stampa fino al 1869. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München, Zentralinstitut für Kunstgeschichte, Vol. 50. Petersberg: Michael Imhoff Verlag GmbH. pp. 98-99 [PDF, 331kB]

This list was generated on Sat Jun 15 00:46:09 2024 CEST.