ORCID: https://orcid.org/0000-0003-1237-5654
(20. July 2019):
Conflicting sources for 3D Replicas. Adam Philippon’s Santa Casa of Loreto.
In: Thinking 3D Forum
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Abstract
Adam Philippon’s 1649 Parisian publication Le veritable plan, et pourtrait de la Maison Miraculeuse de la S.te Vierge, ainsy qu’elle se voit á present á Lorette purports to record visually the divine structure believed to have been the home of the Virgin and site of the Annunciation that relocated miraculously to Loreto, a town on the eastern coast of Italy in the late-thirteenth century. But the structural interior portrayed does not represent the Santa Casa at Loreto. Rather, Philippon’s print renders a replica of the architectural relic constructed on the Venetian island of San Clemente. This article explores the cultural ties behind Philippon’s conflation of the Venetian replica with the Loretan original, and the ramifications of Philippon’s representation for subsequent replicas.
Item Type: | Journal article |
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EU Funded Grant Agreement Number: | 680192 |
EU Projects: | Horizon 2020 > ERC Grants > ERC Starting Grant > ERC Grant 680192: SACRIMA - The Normativity of Sacred Images in Early Modern Europe |
Form of publication: | Publisher's Version |
Keywords: | Adam Philippon; Santa Casa; Loreto; Engraving; Venice; San Clemente; Paper Architecture; Replica |
Faculties: | History and Art History |
Subjects: | 200 Religion > 270 History of Christianity 700 Arts and recreation > 720 Architecture 700 Arts and recreation > 760 Graphic arts |
URN: | urn:nbn:de:bvb:19-epub-73521-4 |
Language: | English |
Item ID: | 73521 |
Date Deposited: | 30. Sep 2020, 08:35 |
Last Modified: | 04. Nov 2020, 13:53 |