Abstract
This article examines the remarkable scene of The Virgin Embracing Our Lady del Sagrario of Toledo represented in a little-known drawing by the royal painter Eugenio Cajés now preserved in the Biblioteca Nacional in Madrid. This unique drawing is the only known image that depicts the moment in which the Virgin honoured one of her sculpted effigies with her touch. After reconstructing the religious and political context of the episode’s invention in sixteenth-century Toledo, the article goes on to analyse the textual and other sources used by the artist to create this new religious iconography. As a detailed case-study, it thus offers a significant new contribution to the debate on the invention and reception of sacred images in post-Tridentine Spain.
Item Type: | Journal article |
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EU Funded Grant Agreement Number: | 680192 |
EU Projects: | Horizon 2020 > ERC Grants > ERC Starting Grant > ERC Grant 680192: SACRIMA - The Normativity of Sacred Images in Early Modern Europe |
Faculties: | History and Art History |
Subjects: | 700 Arts and recreation > 700 Arts 700 Arts and recreation > 740 Drawing and decorative arts 700 Arts and recreation > 750 Painting |
URN: | urn:nbn:de:bvb:19-epub-73458-3 |
ISSN: | 1475-3820 |
Language: | English |
Item ID: | 73458 |
Date Deposited: | 02. Nov 2020 06:40 |
Last Modified: | 18. May 2021 12:41 |