Nun hören die Musen. Florentina Holzingers performative Aneignung des männlichen Musengottes

Zorn, Johanna (2020): Nun hören die Musen. Florentina Holzingers performative Aneignung des männlichen Musengottes. In: Feministische Studien, Bd. 38, Nr. 2: S. 239-255

Abstract

With his choreography to Stravinsky's Apollon Musagete, George Balanchine became a pioneer of neo-classicism in ballet in 1928. Almost 90 years later, the Viennese choreographer Florentina Holzinger takes up the dance meditation on the god of the arts and his muses in her dance performance Apollon. The performance focuses on the conflict of neoclassical repertoire of forms and a variety of performative practices of the abject. Based on this appropriation, the article not only focuses on the collision of deviant body techniques and classical ballet figures, but primarily analyses the performative revaluation of the discourse of the muses.

• Dokumententyp: Zeitschriftenartikel
• Fakultät: Geschichts- und Kunstwissenschaften > Department Kunstwissenschaften > Theaterwissenschaft
• Themengebiete: 700 Künste und Unterhaltung > 790 Sport, Spiele, Unterhaltung > 792 Bühnenkunst
• ISSN: 0723-5186
• Sprache: Deutsch