Abstract
In the first half of the 20th century two private homes in Buenos Aires and Bombay became the nodding point for creative exchanges between local and exiled artists. The Villa of Victoria Ocampo – writer, founder of Sur magazine and key figure in the art scene of Buenos Aires – was a space of encounters between Argentine writers such as José Luis Borges with emigré artists like the Spanish poet Rafael Alberti. The Villa was architecturally a mix of vernacular elements with European style features. Equally cooperative in spirit was the cultural circle around the Jassim House in Bombay. The three Asian co-founders of MARG magazine Mulk Raj Anand, Anil and Minnette de Silva were sewed into a diverse exile network here. Together with the Austrian artist couple Käthe and Walter Langhammer as well as the Indian art collector Homi Bhaba, they fostered a unique discourse on art and architecture. Again, the built environment resembled this social openness and permeability. Based on historic text and photographic material the paper analyses the human and non-human relations of these contact zones. Deploying Actor-Network-Theory it asks, which spatial, aesthetic, and personal factors constitute the “agency” (Latour 2010) of these social infrastructures in two metropolises shaped by emigration. In conclusion, the paper outlines the conditions for transcultural exchange in urban exile.
Dokumententyp: | Buchbeitrag |
---|---|
EU Funded Grant Agreement Number: | 724649 |
EU-Projekte: | Horizon 2020 > ERC Grants > ERC Consolidator Grant > ERC Grant 724649: METROMOD - Relocating Modernism. Global Metropolises, Modern Art and Exile |
Publikationsform: | Publisher's Version |
Keywords: | Urban Exile, Actor-Network-Theory, interdisciplinary research, architecture history, transcultural exchange, SUR magazine, MARG magazine, Villa Ocampo, Jassim House |
Fakultät: | Geschichts- und Kunstwissenschaften > Department Kunstwissenschaften > Kunstgeschichte |
Themengebiete: | 300 Sozialwissenschaften > 300 Sozialwissenschaft, Soziologie
700 Künste und Unterhaltung > 700 Künste 700 Künste und Unterhaltung > 720 Architektur |
URN: | urn:nbn:de:bvb:19-epub-103687-4 |
ISBN: | 9781789387674 |
Ort: | Bristol |
Bemerkung: | This project has received funding from the European Research Council (ERC) under the European Union's Horizon 2020 research and innovation programme (grant agreement No 724649- METROMOD) |
Sprache: | Englisch |
Dokumenten ID: | 103687 |
Datum der Veröffentlichung auf Open Access LMU: | 27. Jun. 2023, 11:40 |
Letzte Änderungen: | 04. Jan. 2024, 11:54 |
Literaturliste: | Alberti, Rafael. The Lost Grove. 1959. Translated and edited by Gabriel Berns, University of California Press, 1981. Alberti, Rafael. Con la luz primera: Antologia de verso y prosa (obra de 1920 a 1996). 1959, edited by María Asunción Mateo, Edaf, 2003. Anand, Mulk Raj. “Planning and Dreaming.” Marg, vol. 1, no. 1, 1946, pp. 3–6. Anonymous. “Mansión privada – Proyecto del Arq. Alejandro Bustillo.” Nuestra Architectura, vol. 1, no. 3, 1929, pp. 92−109. Appadurai, Arjun. “Spectral Housing and Urban Cleansing: Notes on Millennial Mumbai.” Public Culture, vol. 12, no. 3, 2000, pp. 627–651. Belliger, Andréa, and David Krieger. “Einführung in die Akteur-Netzwerk-Theorie.” ANThology. Ein einfuhrendes Handbuch zur Akteur-Netzwerk-Theorie, edited by Andrea Belliger and David Krieger, transcript, 2006, pp. 13–50. Berger, John. And Our Faces, My Heart, Brief as Photos. Writers and Readers Press, 1984. Bettini, Maurizio. Wurzeln. Die trugerischen Mythen der Identitat. Translated by Rita Seuß, Verlag Antje Kunstmann, 2018. Bhabha, Homi K. The Location of Culture. Routledge, 1994. Bischoff, Doerte, and Joachim Schlör, editors. Dinge des Exils (Exilforschung, 31). edition text + kritik, 2013. Bjerg, María. “La inmigración en la Argentina: un mito fundacional y un problema historiográfico.” Revista Electronica de Fuentes y Archivos, vol. 7, no. 7, 2016, pp. 322–329, www.// refa.org.ar/file.php?tipo=Contenido&id=165. Accessed 2 July 2021. Bordelois, Yvonne, and Fabio Grementieri. Villa Ocampo – Escenario de Cultura. Editorial Sudamericana, 2006. Borges, Jorge Luis. Schatten und Tiger. Gedichte 1966–1972 (Werke: in 20 Bänden, 12). Translated by Gisbert Haefs, Fischer Taschenbuch-Verlag, 1994. Bryant, Julius. “Colonial Architecture in Lahore: J.L. Kipling and the ‘Indo-saracenic’ Styles.” South Asian Studies, vol. 36, no. 1, 2020, pp. 61–71. Taylor & Francis Online, doi: 10.1080/02666030.2020.1721111. Accessed 20 March 2021. Callon, Michel. “Techno-economic Networks and Irreversibility.” Sociological Review, vol. 38, no. 1, 1990, pp. 132–161. Cetraro Luna, Elvira. Los Testimonios de Victoria Ocampo Como Proyecto Cultural Argentino Moderno. Doctoral thesis, Pontificia Universidad Católica del Perú, 2009, www.//tesis.pucp. edu.pe/repositorio/handle/20.500.12404/465. Accessed 20 March 2021. Chaudhuri, Supriya. “Interiors and Interiority in Nineteenth-Century India.” The Domestic Space Reader, edited by Chiara Briganti and Kathy Mezei, University of Toronto Press, 2012, pp. 351–358. Clifford, James. Routes. Travel and Translation in the Late Twentieth Century. Harvard University Press, 1997. de Certeau, Michel. The Practice of Everyday Life. University of California Press, 1988. De Mel, Neloufer. Women & the Nation’s Narrative: Gender and Nationalism in Twentieth Century Sri Lanka. Rowman & Littlefield, 2001. De Silva, Minnette. The Life & Work of an Asian Woman Architect. Smart Media Productions, 1998. Deboo, Khorshed. “Revisiting the Past, Reimagining a Future. How an Art Magazine Found a Place in India’s Nation-Building Narratives.” Himal Southasian, 16 February 2021, www.himalmag.com/revisiting-the-past-reimagining-a-future-2021/. Accessed 20 March 2021. Dogramaci, Burcu. “Objekte der Migration. Zeitgenössische künstlerische Strategien und produktive Aneignungen.” Dinge des Exils (Exilforschung, 31), edited by Doerte Bischoff and Joachim Schlör, edition text + kritik, 2013, pp. 35–54. Dogramaci, Burcu. “The Migratory Living Room: Dwelling and Furnishing in a Foreign Land.” Handbook of Art and Global Migration. Theories, Practices, and Challenges, edited by Burcu Dogramaci and Birgit Mersmann, De Gruyter, 2019, pp. 249–262. Dogramaci, Burcu, and Rachel Lee. “Refugee Artists, Architects and Intellectuals Beyond Europe in the 1930s and 1940s: Experiences of Exile in Istanbul and Bombay.” ABE Journal, no. 14–15, 2019, n.p., doi: 10.4000/abe.5949. Accessed 21 March 2021. Dogramaci, Burcu, et al. “Arrival Cities: Migrating Artists and New Metropolitan Topographies in the 20th Century – An Introduction.” Arrival Cities: Migrating Artists and New Metropolitan Topographies in the 20th Century, edited by Burcu Dogramaci et al., Leuven University Press, 2020, pp. 9−32, doi: 10.11116/9789461663245. Accessed 2 July 2021. Dwivedi, Sharada, and Rahul Mehrotra. Bombay: The Cities Within. Eminence Designs, 2001. Dyson, Ketaki Kushari. In Your Blossoming Flower-Garden: Rabindranath Tagore and Victoria Ocampo. Sahitya Akademi, 1988. Fajardo, Salvador J. “Rafael Alberti’s La Arboleda Perdida: Ethos in Time.” Anales de La Literatura Espanola Contemporanea, vol. 35, no. 1, 2010, pp. 117–140. Franz, Margit. Gateway India. Deutschsprachiges Exil in Indien zwischen britischer Kolonialherrschaft, Maharadschas und Gandhi. CLIO, 2015. Franz, Margit. “From Dinner Parties to Galleries: The Langhammer-Leyden-Schlesinger Circle in Bombay – 1940s through the 1950s.” Arrival Cities: Migrating Artists and New Metropolitan Topographies in the 20th Century, edited by Burcu Dogramaci et al., Leuven University Press, 2020, pp. 73–90, doi: 10.11116/9789461663245. Accessed 2 July 2021. Garimella, Annapurna. “On Inheriting the Past.” Mulk Raj Anand: Shaping the Indian Modern, edited by Annapurna Garimella, Marg Publications, 2005, pp. 88–105. Gemünden, Gerd, and Anton Kaes. “Introduction.” Film and Exile, special issue of New German Critique, no. 89, 2003, pp. 3–8. JSTOR, doi: 10.2307/3211142. Accessed 21 March 2021. González, María Soledad. Victoria Ocampo: escritura, poder y representaciones (Colección historia & cultura, 12). Prohistoria Ediciones, 2018. Hensel, Thomas, and Jens Schröter. “Die Akteur-Netzwerk-Theorie als Herausforderung der Kunstwissenschaft – Eine Einleitung.” Zeitschrift fur Asthetik und Allgemeine Kunstwissenschaft (ZAK), vol. 57, no. 1, 2012, pp. 5–18. Heß, Regine. “Vom Akteur im Singular zu den Akteuren im Plural. Neue Forschungsansätze aus Museum, Akteur-Netzwerk-Theorie und Architektursoziologie.” Architektur und Akteure: Praxis und Offentlichkeit in der Nachkriegsgesellschaft, edited by Regine Heß, transcript, 2018, pp. 231–248. Huppatz, D.J. Modern Asian Design (Cultural histories of design). Bloomsbury Publishing, 2018. Isaacs, Reginald R. Walter Gropius. Der Mensch und sein Werk, vol. 2. Translated by Georg G. Meerwein, Gebr. Mann Verlag, 1984. Jacobs, Jane M. “Too Many Houses for a Home: Narrating the House in the Chinese Diaspora.” Drifting. Architecture and Migrancy, edited by Stephen Cairns, Routledge, 2004, pp. 164–183. Jonker, Gerdien. On the Margins: Jews and Muslims in Interwar Berlin (Muslim Minorities, vol. 34). Brill, 2020, www.//brill.com/view/title/56388. Accessed 21 March 2021. Karp Lugo, Laura. “Alone Together: Exile Sociability and Artistic Networks in Buenos Aires at the Beginning of the 20th Century.” Arrival Cities: Migrating Artists and New Metropolitan Topographies in the 20th Century, edited by Burcu Dogramaci et al., Leuven University Press, 2020, pp. 33–54, doi: 10.11116/9789461663245. Accessed 2 July 2021 Klengel, Susanne. “Victoria Ocampo und Tagore. Zur Problemlage transkultureller Biografik.” Anekdote – Biographie – Kanon: Zur Geschichtsschreibung in den schonen Kunsten, edited by Melanie Unseld and Christian Zimmermann, Böhlau, 2013, pp. 365–382. doi: 10.7788/ boehlau.9783412211233. Accessed 2 July 2021. Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford University Press, 2005. Latour, Bruno, and Albena Yaneva. “‘Give me a gun and I will make all buildings move’: An ANT’s view of architecture.” Explorations in Architecture: Teaching, Design, Research, edited by Urs Staub et al., Birkhäuser, 2008, pp. 80–89. Lee, Rachel, and Kathleen James-Chakraborty. “Marg Magazine: A Tryst with Architectural Modernity.” ABE Journal, no. 1, 2012, n.p., doi: 10.4000/abe.623. Accessed 20 March 2021. Lombroso, Gina. “El problema de los refugiados.” SUR, no. 55, 1939, pp. 60–69. Loomba, Ania. Revolutionary Desires: Women, Communism, and Feminism in India. Routledge, 2019. Majstorovic, Gorica. “An American Place: Victoria Ocampo’s Editorial Politics, the Foundation of ‘Sur’, and Hemispheric Alliances.” Arizona Journal of Hispanic Cultural Studies, vol. 9, no. 1, 2005, pp. 171–180. ResearchGate, doi: 10.1353/hcs.2011.0193. Accessed 3 April 2021. M.A.R.G. “Design and Patronage.” Marg, vol. 1, no. 4, 1947, pp. 16–19. M.A.R.G. “Notes on Interior Design.” Marg, vol. 1, no. 2, 1947, pp. 41–46. Marotta, Vince. “The Multicultural, Intercultural and the Transcultural Subject.” Global Perspectives on the Politics of Multiculturalism in the 21st Century: A Case Study Analysis, edited by Fethi Mansouri and Boulou Ebanda de B’béri, Routledge, 2014, pp. 90–102. Mistri, M.J.P. “M.J.P. Mistri – Descendant of Master Builders. An interview with Smita Gupta.” Vistāra – The Architecture of India, edited by Carmen Kagal, exh. cat. The Festival of India in U.S.A., 1986, pp. 222–227. Architexturez South Asia, www.//architexturez.net/doc/az-cf- 123816. Accessed 21 March 2021. Morley, David. Home Territories. Media, Mobility and Identity. Routledge, 2008. Nierhaus, Irene, and Andreas Nierhaus. “Wohnen Zeigen: Schau-Plätze des Wohnwissens.” Wohnen Zeigen: Modelle und Akteure des Wohnens in Architektur und visueller Kultur (wohnen +/- ausstellen Schriftenreihe, vol. 1), edited by Irene Nierhaus et al., transcript, 2014, pp. 9–35. Ocampo, Victoria. Autobiografia 1. El archipielago. Sur, 1980. Ocampo, Victoria. Testimonios. Series Sexta a Decima. 1977. Edited by Eduardo Paz Leston, Editorial Sudamericana, 2000. Ortiz, Fernando. Cuban Counterpoint: Tobacco and Sugar. Alfred A. Knopf, 1947. Saito, Hiro. “An Actor-Network Theory of Cosmopolitanism.” Sociological Theory, vol. 29, no. 2, 2011, pp. 124–149. Sales-Pontes, Alzira Hilda. Dr. Mulk Raj Anand – A Critical Bibliography. Doctoral thesis, Loughborough University of Technology, 1985, www.//hdl.handle.net/2134/10854. Accessed 27 April 2021. Sánchez, Sandra Inés. “¿‘Para Hoy’ o ‘Para Siempre’? Imágenes de Viviendas En Revistas En Las Décadas de 1930 y 1940.” Anales Del Instituto de Arte Americano e Investigaciones Esteticas “Mario J. Buschiazzo”, vol. 45, no. 2, 2015, www.iaa.fadu.uba.ar/ojs/index.php/ anales/article/view/177/html_130. Accessed 27 April 2021. Sanz, Agustín, and Federico Funes. El exilio intelectual republicano espanol en Argentina. La escritura como espacio imaginario de restauracion y discurso en contra del olvido en Rafael Alberti y Maria Teresa Leon. 2015. Universidad de Buenos Aires: Carrera Ciencias de la Comunicación, 2016, comunicacion.sociales.uba.ar/wp-content/uploads/sites/16/2013/02/ Funes-Sanz-ok.pdf. Accessed 20 December 2020. Saunders, Doug. Arrival City: How the Largest Migration in History Is Reshaping Our World. William Heinemann, 2010. Simmel, Georg. “Brücke und Tür.” Idem. Das Individuum und die Freiheit: Essais, Verlag Klaus Wagenbach, 1984, pp. 7–11. Singh, Devika. “Approaching the Mughal Past in Indian Art Criticism: The Case of MARG (1946–1963).” Modern Asian Studies, vol. 47, no. 1, 2013, pp. 167–203, doi: 10.1017/ S0026749X1200090X. Accessed 27 February 2021. Singh, Devika. “German-Speaking Exiles and the Writing of Indian Art History.” Journal of Art Historiography, no. 17, 2017, pp. 1–19. DOAJ, doaj.org/article/0971436ed0004ecfa1f89d7a6d9d0628. Accessed 28 April 2021. Sitman, Rosalie. “Protest from Afar: The Jewish and Republican Presence in Victoria Ocampo’s Revista SUR in the 1930s and 1940s.” Rethinking Jewish-Latin Americans, edited by Jeff Lesser and Raanan Rein, University of New Mexico Press, 2008, pp. 132–51. SUR, vol. 1, no. 1, 1931, www.//catalogo.bn.gov.ar/F/?func=direct&doc_number=001218322 &local_base=GENER. Accessed 6 December 2020. Svašek, Maruška. Moving Subjects, Moving Objects: Transnationalism, Cultural Production and Emotions. Berghahn Books, 2014. Thurn, Hans Peter. Persephone in Buenos Aires: Die argentinische Mazenin Victoria Ocampo. Ferdinand Schöningh, 2019. Wechsler, Diana B. “París, Buenos Aires, México, Milán, Madrid…Migraciones, tránsitos y convergencias para un mapa del arte moderno.” Horizons et dispositifs des arts plastiques des pays du Rio de la Plata (XXe siele), special issue of Artelogie. Recherche sur les arts, le patrimoine et la litterature de l’Amerique latine, vol. 6, no. 6, Association ESCAL, June 2014, n.p., doi: 10.4000/artelogie.1228. Accessed 28 December 2020. Yaneva, Albena. The Making of a Building: A Pragmatist Approach to Architecture. Peter Lang, 2009. |