Schick, Hartmut
(1998):
Finalität als Formprinzip. Beethovens mittlere Klaviersonaten und die Kunst, falsch zu beginnen.
In: Musiktheorie, Vol. 13, No. 3: pp. 207-222
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| Item Type: | Journal article |
|---|---|
| Form of publication: | Publisher's Version |
| Faculties: | History and Art History > Department of Art History > Musicology |
| Subjects: | 700 Arts and recreation > 780 Music |
| URN: | urn:nbn:de:bvb:19-epub-17260-4 |
| ISSN: | 0177-4182 |
| Language: | German |
| Item ID: | 17260 |
| Date Deposited: | 14. Oct 2013, 11:14 |
| Last Modified: | 04. Nov 2020, 12:59 |
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