Abstract
Adam Philippon’s 1649 Parisian publication Le veritable plan, et pourtrait de la Maison Miraculeuse de la S.te Vierge, ainsy qu’elle se voit á present á Lorette purports to record visually the divine structure believed to have been the home of the Virgin and site of the Annunciation that relocated miraculously to Loreto, a town on the eastern coast of Italy in the late-thirteenth century. But the structural interior portrayed does not represent the Santa Casa at Loreto. Rather, Philippon’s print renders a replica of the architectural relic constructed on the Venetian island of San Clemente. This article explores the cultural ties behind Philippon’s conflation of the Venetian replica with the Loretan original, and the ramifications of Philippon’s representation for subsequent replicas.
Dokumententyp: | Zeitschriftenartikel |
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EU Funded Grant Agreement Number: | 680192 |
EU-Projekte: | Horizon 2020 > ERC Grants > ERC Starting Grant > ERC Grant 680192: SACRIMA - The Normativity of Sacred Images in Early Modern Europe |
Publikationsform: | Publisher's Version |
Keywords: | Adam Philippon; Santa Casa; Loreto; Engraving; Venice; San Clemente; Paper Architecture; Replica |
Fakultät: | Geschichts- und Kunstwissenschaften |
Themengebiete: | 200 Religion > 270 Geschichte des Christentums
700 Künste und Unterhaltung > 720 Architektur 700 Künste und Unterhaltung > 760 Grafik |
URN: | urn:nbn:de:bvb:19-epub-73521-4 |
Sprache: | Englisch |
Dokumenten ID: | 73521 |
Datum der Veröffentlichung auf Open Access LMU: | 30. Sep. 2020, 08:35 |
Letzte Änderungen: | 04. Nov. 2020, 13:53 |