Abstract
Uninterpreted inscriptions incised across a pair of etchings by the Flemish artist Pieter de Bailliu reveal an ephemeral, decorative tradition once practiced in the heart of Rome. These prints, together with a third by de Bailliu, shed light on the ephemeral flower mosaics from which the artist worked. This paper revises preconceived notions regarding the little-understood early modern decorative tradition and the artistic oeuvre of Benedetto and Pietro Paolo Drei. De Bailliu’s prints reveal the large-scale ephemera once decorating the seventeenth-century floors of new Saint Peter’s Basilica, and the debt modern scholarship owes to prints that reconstruct lost, altered, or striped early modern interiors.
Dokumententyp: | Zeitschriftenartikel |
---|---|
EU Funded Grant Agreement Number: | 680192 |
EU-Projekte: | Horizon 2020 > ERC Grants > ERC Starting Grant > ERC Grant 680192: SACRIMA - The Normativity of Sacred Images in Early Modern Europe |
Publikationsform: | Publisher's Version |
Keywords: | Pietro Paolo Drei, Benedetto Drei, Pieter de Bailliu, flower mosaics, Arcimboldo, Saint Peter's Basilica, ephemera, cult practice, bronze Saint Peter statue, architecture |
Fakultät: | Geschichts- und Kunstwissenschaften > Department Kunstwissenschaften > Kunstgeschichte |
Themengebiete: | 200 Religion > 270 Geschichte des Christentums
700 Künste und Unterhaltung > 720 Architektur 700 Künste und Unterhaltung > 760 Grafik |
URN: | urn:nbn:de:bvb:19-epub-75458-4 |
Sprache: | Englisch |
Dokumenten ID: | 75458 |
Datum der Veröffentlichung auf Open Access LMU: | 29. Mrz. 2021, 09:03 |
Letzte Änderungen: | 01. Okt. 2021, 05:00 |